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Contemporary fusion is a spontaneous phenomenon that’s a key element of Cuban musical life. The idea of blending sounds, of mixing one style with another, has been part and parcel of the island’s musical tradition—particularly using African, European, Latin, Caribbean and US styles. More recently, in the early 1990s, cultural life really opened up. Many Cuban musicians (NG La Banda and Buena Vista Social Club) met with great acclaim abroad, and the influence of many new styles, instruments, sounds and artists poured into the island. The latter resulted in a further, furious musical mix—blending variations of sounds and styles such as the most aggressive punk, trash, rock ‘n roll and hip hop with Brazilian-style birimbao, congas, batás and the most rhythmic clave cubana – the island’s musicians doing what they’ve always done: mixing and spicing it all up. Today, in Havana, for example, many younger musicians play, write and produce together, and so national and international influences have even more of a chance to flower and bloom.
Cuba may be most famous for salsa and Buena Vista Social club but some of the most dynamic and hippest groups today are playing to a very different beat
“Fusion? Its like cooking, mi amor. You throw in some black beans from Cuba, spices from India, BBQ chicken from down-south USA, add a little salsa from here, a sweet potato from there….and what have you got? Fusion, blend, mix, spice, something hot, something new, mi amor, something new!” (Havana musician).
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Elmer Ferrer |
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One of the most prolific studio musicians in Cuba, guitarist Elmer Ferrer is particularly known and greatly admired for his harmonic brilliance and his fast and furious finger work—think Jimi Hendrix. He is also an accomplished composer, arranger, producer, teacher and leader of the remarkable Elmer Ferrer band. In the early 90s, he hooked up with Roberto Carcassés and Descemer Bueno to form the Estado de Animo band, touring extensively in Europe and Latin America. |
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Elmer has performed at numerous and prestigious guitar and jazz festivals, written music for film and was one of the few artists invited to play with Sting when the British musician visited Havana. Enjoy him on his two solo albums: Metrópoli (Unicornio, 2002) and Fango Dance (Johnston Records, 2005), and if you’re very lucky, catch him live in Havana. |
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Carlos Varela |
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Think Bruce Springsteen/Bob Dylan/Paul Simon and you have the black-hatted-clothes-and-shades talent of Carlos Varela. An early, rebel Nueva Trova singer and now, in his mid 40s, Varela has been described as having “a searingly emotional gravel of a voice which can rock you off your seat and then break your heart.” He is very big here, in Spain and in Latin America, draws huge crowds of mainly younger (and not so younger) fans, and is perhaps best heard on the early Como los peces, the delicate and intimate Nubes, and the more commercial Siete. Varela has toured extensively in Europe, Latin America and the US and recently played—along with Bob Dylan, Manu Chao and the Steve Miller Band—at the 2007 Ottawa Blues Festival. His latest album is due out in early 2008. |
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Yusa |
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Guitarist, bassist and singer-songwriter, Yusa has been making big waves both here and outside of the island for some time, especially in Europe and Japan. Often intimate and laid back, sometimes fast and furious, her funky bass playing and loose singing style are a contemporary mix of Cuban, Brazilian, jazz and R & B styles, though she says she is now searching for a quieter simplicity in her work. |
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The long and close association with Roberto Carcassés, Descemer Bueno and Pável Urquiza remains inspirational for her, and Interactivo still provides a musical home-base. A fine guitar and bass player with an emotive, soulful voice, she is signed to the UK-based TUMI label and can best be heard on her very nice 2004 album, Breathe. A third album is due for release in early 2008. |
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Aldo Lopez Gavilan |
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A young prodigy from one of Cuba’s most famous musical families, Aldo began composing at 5, playing at 6, collecting awards at 12, and by 17 was playing Prokofiev with Cuba’s National Symphonic Orchestra. In the late 90s, he left for London and Trinity College, and has gone on to develop his multi-faceted talent, performing extensively in Europe, the USA and Latin America. His particular pianistic style mixes the virtuosity of classical music, the vibrant freedom of jazz and the |
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rhythmic complexity of Afro-Cuban styles, and one can hear his love of Keith Jarrett and Yellow Jacket in there too. With his current trio, he is presently experimenting with more of an electro-acoustic/house mix. Listen to his 1999 piano solo En el ocaso de la hormiga y el elefante (nominated for a Latin Grammy), and the fine Talking to the Universe (2006). |
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David Torrens |
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Most famous for his humorous, passionate, and fiery performances, and with a musical fusion that many say is almost impossible to classify, singer-songwriter David Torrens is an unmissable talent. Aficionados talk about the seamless movement between pop, rock and trova that thread though his most popular songs, and which blend Caribbean rhythms such as mambo, cha-cha-chá, bomba, samba and reggae. With at least two albums to his name (Mi poquita fe (1998) and Ni de aquí ni de allá (2001), this very popular artist “...irreverently mixes tradition and innovation and gives you great songs about the sweet and more savoury sides of daily life.” Moving between Mexico City and Havana, he is presently concentrating on live concerts so catch him if you can at La Casa del Habano (5ta y 16, Miramar) or Club 1830. |
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Buena Fe |
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From the eastern-most province, Guantánamo, this singer-songwriter duo—Israel Rojas (with a degree in law to boot) and partner Yoel Martínez—are said to be one of the most popular bands among a young, mainly high school and university crowd. Although they can be questioning—much metaphor and irony to express reflective and well-thought out ideas and feelings—they |
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also talk about love, relationships and the everyday issues of Cuban life. With various music prizes and three albums already to their credit they are big news. So, says my 17-year-old neighbour and her friends, if you enjoy a melodious and rhythmic kind of folky-pop with a mix of Caribbean and Cuban beats, and if you fancy seeing hundreds of all-singing, all-smiling and all-dancing young people, search them out. |
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Roberto Carcasses |
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One of the most influential musicians in today’s fusion scene and with a pedigree musical background—his father is jazzista Bobby Carcassés—Roberto moved from percussion to piano, composition and into the jazz scene straight after graduating.In the early 90’s, with guitarist Elmer Ferrer and bassist Descemer Bueno, he formed the Estado de Animo band. |
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Later the experimental umbrella group, Interactivo, was collectively assembled with Carcassés as its group director, band leader and pianist, and incorporating other multi-talents such as Ferrer, singer-songwriter Yusa, and poetess/rapper Telmary Díaz. This outfit continues to inspire and serve as a safe, but experimental home-base for many of Cuba’s young talent. Interactivo plays what is called timba-funk—a vibrant mix of hip hop, rock, jazz and blues that is very influential and popular especially among an alternative music-listening public. |
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Sintisis |
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This renowned family-based group—led by bassist/composer Carlos Alfonso and his wife, vocalist and keyboard player Ele Valdés—celebrated their 30th birthday in 2005. Daughter and singer Eme, and award-winning musician/composer son X Alfonso are also a part. Known as Cuba’s first progressive rock band, with early influences of Genesis, Pink Floyd and Yes, they have been described as “…one of the few |
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musical groups who have truly moved with the times weaving rock, pop, jazz and hip-hop styles into their melodious and rhythmical music.” Steeped in a seriously-studied Afro-Cuban tradition, they released the first example of a fusion that combined their own experimental rock style with Afro-Cuban Santería ritual music and jazz—the very fine Ancestros (Vol. 1). Also recommended is Habana a flor de piel and the two other volumes of Ancestros. |
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Telmary |
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With bags of personality, attitude and stage presence—a kind of hippy Missy Elliot—this former founder of Free Hole Negro (early hip-hop fusion band) has been developing her solo career at a pace. With songs that talk of love and the trials and tribulations of everyday Cuban life, Telmary´s husky and expressive raps use an innovative mix of Cuban styles (especially rumba) with dashings of contemporary funky sounds, and are influenced by her long and ongoing collaboration with Roberto Carcassés and the Interactivo group. She has toured extensively in Canada and Europe, is signed to the Bis Music label and her latest album, A diario, which won the 2007 Cubadisco award for Best Rap/Dance/Hiphop album, has gone down a storm, especially the very sassy hit “Qué equivocado estás de la vida.” Always worth catching if she’s in town. |
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December Bueno |
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In many people’s book, Descemer Bueno is one of the finest contemporary Cuban songwriters around. From boleros, guarachas, son, trova to R&B, his songs have been described as “modern classics, beautifully crafted and with melodies to die for.” Part of the acclaimed Afro-beat band, Yerba Buena, he now concentrates more on his own work, writing for film (best original |
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music—Goya Award—for Havana Blues), and producing much of the multi-talent on the island. In the 90s, he was head-hunted, among others, by David Byrne, and now moves between the US and Havana. Also a fine bass player, his emotive, almost broken voice makes his rare live concerts very popular. Listen to the sweet-voiced Haydee Milanés for some of the best renditions of his songs and check out his acclaimed 2006 album of boleros. |
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X Alfonzo |
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Music prize upon film scores upon albums upon video clips, X Alfonso has swept the boards in these last few years. Born into the musical and creative hothouse of family group Síntesis, he is known as a consummate artist and wows a mainly younger audience with vibrant energy and an innovative mix of Afro-Cuban/hiphop/rock/reggae and popular Cuban styles. |
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His performances are celebrated for being “...beautifully and cleverly presented, with stunning light, sound and visuals.” Admired for his wide musical range, he is signed to EGREM and his cutting-edge production company—DNA—supports his own and the family’s creative work. Look for the albums X Moré (his tribute to Cuban musical giant, Benny Moré), Civilización and Delirium Tremens (dance/theatre performance). He recently won a shared Goya prize for the soundtrack of the film Havana Blues and promises a feature film for 2008. |
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