Towards the end of the 1980s, Cuban art reached something of a crossroads as the relationship between individual artists and the institutional system came under strain. At this time the position of the government towards certain artists whose works raised questions and doubts regarding Cuban culture and society was widely perceived as having reached the limits of its tolerance, which, prior to this time, had been very open and accepting towards artistic expression. |
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| Full article in 2008/9 edition of Cuba Absolutely |
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